Each book (except the last one, thank god) ended in a cliffhanger that made me literally itch to read the next book! There were so many twists and turns in the series that I felt my jaw dropping in every chapter in the best way. The plot added more depth to the characters and it kept the book honestly a thrill ride that you would have to pay me to get off. It was so good! The plot of the overall series just kept getting more and more complicated, but it was not confusing in the least bit. With all that information, I would say that this series is by far my favorite of hers! It was such a fantastic and well written ride that I am devastated that it is over.Įach book in the series got better and better and I can’t explain in words how much I loved this series. I just love the stories she writes and I’m always ready to read more of her books. Her main characters are raw, gritty, and so powerful and her men are hard, sarcastic, and sexy in all the ways. Stunich is by far one of my favorite romance writers of all time. However, that favor comes with a price, but Bernie is willing to pay anything to get her revenge, even agreeing to be their girl, a HAVOC girl. You only say their name if you want them to do you a favor.
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To make matters worse, Walter announces that his mother is coming for a visit and she s expecting Jane to be Jewish. Jane can barely focus on her boyfriend, Walter, while keeping him in the dark about her more sanguine tastes. Even the ongoing lessons in How to Be a Vampire, taught by her former lover Lord Byron, don t seem to be helping much. But now the world embraces her as Jane Fairfax, author of the bestselling novel Constance and she’s having a killer time trying to keep her true identity as the Jane Austen a secret. But will her most recent literary success be her last? Life was a lot easier for Jane when she was just an unknown, undead bookstore owner in a sleepy hamlet in upstate New York. After two hundred years undead, Jane Austen still has bite. Waters freely manipulates an image bank of less-than-sacred, low-brow references-Elizabeth Taylor’s hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine-to entice viewers to engage with his astute and provocative observations about society. In bringing “bad taste” to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. These works deploy Waters’s renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy. This major retrospective examines the artist’s influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. It has been more than fifty years since John Waters filmed his first short on the roof of his parents’ Baltimore home. My Favorite Halloween Memory: "The Real Darkborn" by Matthew Costello "The 'Corn Factory" by Benjamin Kane Ethridge "What Blooms in Shadow Withers in Light" by Richard Gavin My Favorite Halloween Memory: "All the News" by Karen Heuler My Favorite Halloween Memory: "Under the Autumn Stars" by Tim Waggoner My Favorite Halloween Memory: "Gort Klaatu Barada Trick or Treat" by Nancy Holder "The Scariest Thing I Know" by Dean Koontz My Favorite Halloween Memory: "Perspective" by Michael McBride "Universal Horrors" by Stephen Graham Jones The long-awaited follow up to one of the most acclaimed Halloween anthologies ever! This oversized volume contains spooky Halloween short stories, dozens of authors and artists recalling their own personal memories of Halloween, and essays detailing the history of Halloween. October Dreams 2: A Celebration of HalloweenĮdited by Richard Chizmar & Robert Morrish Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power-an aptitude for the nearly-mythical art of shamanism. That she got into Sinegard-the most elite military school in Nikan-was even more surprising.īecause being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. When Rin aced the Keju-the Empire-wide test to find the most talented youth to learn at the Academies-it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. A brilliantly imaginative talent makes her exciting debut with this epic historical military fantasy, inspired by the bloody history of China’s twentieth century and filled with treachery and magic, in the tradition of Ken Liu’s Grace of Kings and N.K. He is considered one of the most successful spies in history. For Gordievsky that moment was the “ Prague Spring.” This event was a turning point in his life and started him down a path that would change his and his family’s lives forever.įor years Gordievsky helped MI6 foil plots, expose Russian spies, and handed over millions of counterintelligence documents. In his book, Macintyre talks about the moment every spy has where they face a crisis of faith, where the ideological scales fall from a believer’s eyes and they see the true nature of their home. For 11 years, Gordievsky spied for MI6 against the Soviet Union. Oleg Gordievsky was one of the most important spies of the Cold War. Both were traitors to their own homelands. One spied on the USSR for Britain and one spied on the United States for the USSR. Ben Macintyre’s book, The Spy and the Traitor: The Greatest Espionage Story of the Cold War, focuses on two people, Oleg Gordievsky the spy and Aldrich Ames the traitor. But have we given up more than we've gained? In Data and Goliath, security expert Bruce Schneier offers another path, one that values both security and privacy. The result is a mass surveillance society of our own making. Much of this is voluntary: we cooperate with corporate surveillance because it promises us convenience, and we submit to government surveillance because it promises us protection. And both sides share this information with each other or, even worse, lose it to cybercriminals in huge data breaches. Governments use surveillance to discriminate, censor, chill free speech, and put people in danger worldwide. Corporations use surveillance to manipulate not only the news articles and advertisements we each see, but also the prices we're offered. The powers that surveil us do more than simply store this information. Facebook can determine your sexual orientation without you ever mentioning it. Google knows what you're thinking because it saves your private searches. Your e-mails and texts expose your intimate and casual friends. Your online and in-store purchasing patterns are recorded, and reveal if you're unemployed, sick, or pregnant. Your cell phone provider tracks your location and knows who's with you. "Bruce Schneier's amazing book is the best overview of privacy and security ever written."-Clay Shirky By exploring the history of a nation where "Black oppression's not happenstance it's the law," Jones links past harm to modern heartache and prays for a peaceful world where one finds paradise in the garden in the afternoon with her family, together, safe, and worry-free. These poems, too, are a celebration of Black life and art: a beloved grandmother in rural Alabama, the music of James Brown and Al Green, and the soil where okra, pole beans, and collards thrive thanks to her father's hands. These poems explore trauma past and present, cultural and personal: the lynching of young, pregnant Mary Turner in 1918 the current white nationalist political movement a case of infidelity. In this, her third collection, Jones deftly takes on the worst of today-state-sanctioned violence, pandemic-induced crises, and white silence-all while uplifting Black joy. Jones calls for long-overdue reparations to the Black descendants of enslaved people in the United States of America. In formal and non-traditional poems, award-winning poet Ashley M. Reparations Now! asks for what's owed. All of them have free trials, and we encourage you to try them out. In addition to standalone apps for PBS Masterpiece (and PBS Passport), Britbox, and Starz, these services can also be found as premium add-on features to Amazon and Hulu subscriptions (linked below as “via”). You know the one!Ī note on streaming: These series are found in a variety of places. We also set a cutoff point of World War I, although we did sneak in a series that goes just past the start of the war. And though these series span many time periods, genres, and interests, there is never a shortage of series about Tudor England (there are four on this list so far). But they are still wholly British productions, with UK actors and accents throughout. Not all of the series take place in England, though-a few examine life in France, Italy, or elsewhere. The airwaves are full of great costume dramas, but for our list below we’ve narrowed it down to those of a British variety. Well, a romanticized version anyway, where you don’t have to face daily medical and sanitation issues. Sometimes you want to wrap yourself up in a gorgeous costume drama, escaping to a past you never knew but perhaps feel on a certain level. The Dispossessed, published in 1974, tells the story of an anarchist, anti-capitalist society on Anarres, which has been struggling for over one hundred years against the legacy of its classist, capitalist twin planet Urras. Nevertheless, her enduring influence on the genre inspired writers like David Mitchell ( Cloud Atlas,) Neil Gaiman ( American Gods, The Sandman,) Kelly Link ( Magic for Beginners,) and Jeff VanderMeer ( Annihilation.) Le Guin balked at being boxed-in as a sci-fi writer, and preferred to be known simply as a novelist. Born in Berkeley, California to anthropologist parents, Le Guin studied at Radcliffe College and Columbia University, worked as a secretary and a French teacher, and eventually as a full-time writer of science fiction. Le Guin’s name has become synonymous with the use of fictional worlds to examine the nature of reality, the issues at the heart of the human condition, and the possibilities and dangers that humans face as a species. Le Guin was known throughout her life as “America’s greatest living science fiction writer.” Credited with revolutionizing the genre, she incorporated lyrical prose, Taoist influences, and themes of feminism, anarchism, and environmentalism into her many works. An American science fiction and fantasy writer, Ursula K. |